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BibTex (all) BibTex (all incl. abstracts) >> Short list Long list (incl. abstracts) Statistics Related: See also Don Byrd's MIR related bibliography and the complete list of ISMIR papers. Please report errors and any additional information to Elias Pampalk (firstname.lastname@gmail.com). Last updated on: 07-Mar-2010 |
| 2010 |
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Automatic Characterization of Music for Intuitive Retrieval Tim Pohle, Johannes Kepler University, Linz, Austria, January 2010. [BibTex, External Link] Signal Processing Methods for Drum Transcription and Music Structure Analysis Jouni Paulus, Tampere University of Technology, Finnland, January 2010. [BibTex, Abstract] |
| 2009 |
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Fuzzy techniques in the usage and construction of comparison measures for music objects Klaas Bosteels, Ghent University, Belgium, October 2009. [BibTex, Abstract, PDF] Audio content processing for automatic music genre classification: descriptors, databases, and classifiers Enric Guaus, University Pompeu Fabra, Barcelona, Spain, 2009. [BibTex, Abstract, External Link] Poolcasting: an intelligent technique to customise music programmes for their audience Claudio Baccigalupo, Universitat Autònoma de Barcelona, Spain, November 2009. [BibTex, Abstract, PDF] Signal Processing Methods for Audio Classification and Music Content Analysis Antti Eronen, Tampere University of Technology, Tampere, Finland, June 2009. [BibTex, Abstract, External Link] Computational Tonality Estimation: Signal Processing and Hidden Markov Models Katy Noland, Queen Mary University of London, London, UK, March 2009. [BibTex, Abstract, PDF] A computational Framework for Sound Segregation in Music Signals Luis Gustavo Martins, University of Porto, Porto, Portugal, February 2009. [BibTex, Abstract, External Link] A Distributed Music Information System Yves Raimond, Queen Mary University of London, London, UK, January 2009. [BibTex, Abstract, External Link] |
| 2008 |
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Perception and Modeling of Segment Boundaries in Popular Music Michael J. Bruderer, Technische Universiteit Eindhoven, Eindhoven, Netherlands, 2008. [BibTex, PDF] Music Recommendation and Discovery in the Long Tail Óscar Celma, University Pompeu Fabra, Barcelona, Spain, 2008. [BibTex, Abstract, External Link] Automatic Transcription of Pitch Content in Music and Selected Applications Matti Ryynänen, Tampere University of Technology, Tampere, Finland, December 2008. [BibTex, Abstract, PDF] Modeling musical anticipation: From the time of music to the music of time Arshia Cont, University of California in San Diego, CA, USA, October 2008. [BibTex, Abstract, External Link] Novel Techniques for Audio Music Classification and Search Kris West, University of East Anglia, UK, September 2008. [BibTex, Abstract, PDF] Cross-Domain Content-Based Retrieval of Audio Music through Transcription Iman S. H. Suyoto, Royal Melbourne Institute of Technology (RMIT), Melbourne, September 2008. [BibTex, Abstract, External Link] From Sparse Models to Timbre Learning: New Methods for Musical Source Separation Juan José Burred, Technical University of Berlin, Berlin, Germany, September 2008. [BibTex, Abstract, External Link] Real Time Automatic Harmonisation (in French) Giordano Cabra, University of Paris 6, Paris, France, July 2008. [BibTex, Abstract] Automatically Extracting, Analyzing, and Visualizing Information on Music Artists from the World Wide Web Markus Schedl, Johannes Kepler University, Linz, Austria, July 2008. [BibTex, Abstract, PDF] A System for Acoustic Chord Transcription and Key Extraction from Audio Using Hidden Markov Models Trained on Synthesized Audio Kyogu Lee, Stanford University, CA, USA, March 2008. [BibTex, Abstract, PDF] Computer-Based Music Theory and Acoustics Matt Wright, Stanford University, CA, USA, March 2008. [BibTex, Abstract, External Link] Studies on Hybrid Music Recommendation Using Timbral and Rhythmic Features Kazuyoshi Yoshii, Kyoto University, Kyoto, Japan, March 2008. [BibTex, Abstract, PDF] A Study on Developing Applications Systems Based on Singing Understanding and Singing Expression (in Japanese) Tomoyasu Nakano, University of Tsukuba, Tsukuba, Japan, March 2008. [BibTex, Abstract] |
| 2007 |
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Anchors and hubs in audio-based music similarity Adam Berenzweig, Columbia University, NY, USA, 2007. [BibTex, Abstract, External Link] Content-based visualisation to aid popular navigation of musical audio Gavin Wood, University of York, York, UK, 2007. [BibTex] SWIPE: A Sawtooth Waveform Inspired Pitch Estimator for Speech and Music Arturo Camacho, University of Florida, FL, USA, December 2007. [BibTex, Abstract, PDF] Towards Automatic Rhythmic Accompaniment Matthew Davies, Queen Mary University of London, London, UK, August 2007. [BibTex, Abstract, PDF] Transcription des signaux percussifs. Application à l'analyse de scènes musicales audiovisuelles Olivier Gillet, Telecom ParisTech - ENST, Paris, France, June 2007. [BibTex, Abstract, External Link] Spectral Processing Of The Singing Voice Alex Loscos, University Pompeu Fabra, Barcelona, Spain, May 2007. [BibTex, Abstract, External Link] Content-Based Audio Search from Fingerprinting to Semantic Audio Retrieval Pedro Cano, University Pompeu Fabra, Barcelona, Spain, April 2007. [BibTex, Abstract, External Link] Statistical Approach to Multipitch Analysis Hirokazu Kameoka, University of Tokyo, Japan, March 2007. [BibTex, Abstract, PDF] Computational Musical Instrument Recognition and Its Application to Content-based Music Information Retrieval Tetsuro Kitahara, Kyoto University, Japan, March 2007. [BibTex, Abstract, PDF] Music Retrieval based on Melodic Similarity Rainer Typke, Utrecht University, Netherlands, February 2007. [BibTex, PDF] Structural Analysis and Segmentation of Music Signals Bee Suan Ong, University Pompeu Fabra, Barcelona, Spain, February 2007. [BibTex, Abstract, External Link] Music Complexity: A Multi-faceted Description of Audio Content Sebastian Streich, University Pompeu Fabra, Barcelona, Spain, February 2007. [BibTex, Abstract, External Link] A Study on a Universal Platform for Digital Content Annotation and its Application to Music Information Processing (in Japanese) Katsuhiko Kaji, Nagoya University, Japan, January 2007. [BibTex, Abstract, External Link] Analysis of Systems for Melody Search and Methods for Functional Testing (in German) Johann-Markus Batke, Technische Universität Berlin, Germany, January 2007. [BibTex, Abstract, External Link] |
| 2006 |
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Towards Autonomous Agents for Live Computer Music: Realtime Machine Listening and Interactive Music Systems Nicholas M. Collins, University of Cambridge, UK, November 2006. [BibTex, Abstract, External Link] Sound Source Separation in Monaural Music Signals Tuomas Virtanen, Tampere University of Technology, Finland, November 2006. [BibTex, Abstract, PDF] Expressivity-aware Tempo Transformations of Music Performances Using Case Based Reasoning Maarten Grachten, University Pompeu Fabra, Barcelona, Spain, November 2006. [BibTex, Abstract, PDF] Feature Extraction of Musical Content for Automatic Music Transcription Ruohua Zhou, Ecole Polytechnique Fédérale de Lausanne, Swiss, October 2006. [BibTex, Abstract, External Link] Melody Detection in Polyphonic Audio Rui Pedro Paiva, University of Coimbra, Portugal, September 2006. [BibTex, Abstract, External Link] Automatic Annotation of Musical Audio for Interactive Applications Paul Brossier, Queen Mary University of London, UK, August 2006. [BibTex, Abstract, External Link] Tonal Description of Music Audio Signals Emilia Gómez, University Pompeu Fabra, Barcelona, Spain, July 2006. [BibTex, Abstract, External Link] A Method for Discovering Musical Patterns Through Time Series Analysis of Symbolic Data Tamar C. Adler-Berman, Northwestern University, IL, USA, June 2006. [BibTex, Abstract, External Link] Ten Experiments on the Modelling of Polyphonic Timbre Jean-Julien Aucouturier, University of Paris 6, Paris, France, May 2006. [BibTex, Abstract, PDF] Computer-Supported Cooperative Work for Music Applications Álvaro Barbosa, University Pompeu Fabra, Barcelona, Spain, April 2006. [BibTex, Abstract, PDF] Computer Models for Musical Instrument Identification Nicolas D. Chétry, Queen Mary University of London, UK, April 2006. [BibTex, Abstract] Computing Pitch Names in Tonal Music: A Comparative Analysis of Pitch Spelling Algorithms David Meredith, University of Oxford, UK, April 2006. [BibTex, Abstract] Temporal Feature Integration for Music Organisation Anders Meng, Technical University of Denmark, Denmark, April 2006. [BibTex, Abstract, External Link] Computational Models of Music Similarity and their Application in Music Information Retrieval Elias Pampalk, Vienna University of Technology, Vienna, Austria, March 2006. [BibTex, Abstract, PDF] Music Genre Classification Systems - A Computational Approach Peter Ahrendt, Technical University of Denmark, Kongens Lyngby, Denmark, February 2006. [BibTex, Abstract, External Link] Separation of Musical Sources and Structure from Single-Channel Polyphonic Recordings Mark Every, University of York, UK, February 2006. [BibTex, Abstract, PDF] |
| 2005 |
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A Multi-Dimensional Entropy Model of Jazz Improvisation for Music Information Retrieval Scott J. Simon, University of North Texas, TX, USA, December 2005. [BibTex, Abstract, External Link] Research on Key Techniques of Music Data Management and Retrieval (in Chinese) Chaokun Wang, Harbin Institute of Technology, China, December 2005. [BibTex, Abstract] Music Information Retrieval: Conceptual Framework, Annotation and User Behavior Micheline Lesaffre, Ghent University, Belgium, December 2005. [BibTex, Abstract] Automatic Classification of Audio Signals: Machine Recognition of Musical Instruments (in French) Slim Essid, Université Pierre et Marie Curie, Paris, France, December 2005. [BibTex, External Link] A Computational Approach to Rhythm Description --- Audio Features for the Computation of Rhythm Periodicity Functions and their use in Tempo Induction and Music Content Processing Fabien Gouyon, University Pompeu Fabra, Barcelona, Spain, November 2005. [BibTex, Abstract, External Link] Profiles of Pitch Classes --- Circularity of Relative Pitch and Key: Experiments, Models, Music Analysis, and Perspectives Hendrik Purwins, Technische Universität Berlin, Germany, October 2005. [BibTex, Abstract, External Link] Instrument Recognition and Melody Estimation in Polyphonic Music Based on Limited Time-Frequency Representations Jana Eggink, University of Sheffield, UK, September 2005. [BibTex] Creating Music by Listening Tristan Jehan, Massachusetts Institute of Technology, MA, USA, September 2005. [BibTex, Abstract, External Link] Automated Analysis of Musical Structure Wei Chai, Massachusetts Institute of Technology, MA, USA, September 2005. [BibTex, Abstract, PDF] Learning the Meaning of Music Brian Whitman, Massachusetts Institute of Technology, MA, USA, June 2005. [BibTex, Abstract, PDF] Artificial Listening Systems: Models for the Approximation of the Subjective Perception of Music Similarity (in German) Stephan Baumann, Technical University of Kaiserslautern, Germany, March 2005. [BibTex, PDF] |
| 2004 |
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A Multipitch Prediction-driven Approach to Polyphonic Music Transcription Giuliano Monti, Queen Mary University of London, UK, 2004. [BibTex] Automatic Drum Transcription and Source Separation Derry FitzGerald, Dublin Institute of Technology, Dublin, Ireland, 2004. [BibTex, Abstract, PDF] Polyphonic Music Retrieval: The N-gram approach Shyamala Doraisamy, Imperial College London, London, UK, 2004. [BibTex] Instrument Models for Source Separation and Transcription of Music Recordings Emmanuel Vincent, University of Paris 6, France, December 2004. [BibTex, Abstract, PDF] Towards Automatic Musical Instrument Timbre Recognition Tae Hong Park, Princeton University, NJ, USA, November 2004. [BibTex, Abstract, PDF] Bayesian Music Transcription A. Taylan Cemgil, Radboud University of Nijmegen, Netherlands, November 2004. [BibTex, Abstract, PDF] Inferring Score Level Musical Information From Low-Level Musical Data Jürgen F. Kilian, Darmstadt University of Technology, Darmstadt, Germany, October 2004. [BibTex, Abstract, PDF] Extraction de descripteurs musicaux: une approche évolutionniste Aymeric Zils, University of Paris 6, Paris, France, September 2004. [BibTex, Abstract, External Link] Techniques for the Automated Analysis of Musical Audio Stephen Webley Hainsworth, University of Cambridge, UK, September 2004. [BibTex, Abstract, PDF] Automatic Singer Identification in Polyphonic Music Mark A. Bartsch, University of Michigan, MI, USA, August 2004. [BibTex, PDF] Harmonic Modeling for Polyphonic Music Retrieval Jeremy Pickens, University of Massachusetts Amherst, MA, USA, May 2004. [BibTex, Abstract, External Link] Signal Processing Methods for the Automatic Transcription of Music Anssi Klapuri, Tampere University of Technology, Finnland, March 2004. [BibTex, Abstract, PDF] Data-Driven Concatenative Sound Synthesis Diemo Schwarz, Ircam - Centre Pompidou, Paris, France, January 2004. [BibTex, Abstract, External Link] |
| 2003 |
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Computationally Measurable Differences Between Speech and Song David Gerhard, Simon Fraser University, CA, USA, April 2003. [BibTex, Abstract, PDF] Towards the Automated Analysis of Simple Polyphonic Music: A Knowledge-based Approach Juan P. Bello, Queen Mary University of London, London, UK, January 2003. [BibTex, Abstract, PDF] |
| 2002 |
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Towards Music Perception by Redundancy Reduction and Unsupervised Learning in Probabilistic Models Samer A. Abdallah, King's College London, London, UK, 2002. [BibTex, Abstract, PDF] Time-frequency Methods for Pitch Detection Herbert Griebel, Vienna University of Technology, Austria, September 2002. [BibTex, Abstract, External Link] On Quantitative Aspects of Musical Meaning Kalev Tiits, University of Helsinki, Finland, August 2002. [BibTex, Abstract, PDF] Music Information Retrieval Technology Alexandra L. Uitdenbogerd, RMIT University, Melbourne, Victoria, Australia, July 2002. [BibTex, Abstract, PDF] Manipulation, Analysis and Retrieval Systems for Audio Signals George Tzanetakis, Princeton University, NJ, USA, June 2002. [BibTex, Abstract, PDF] Automatic Transcription of Piano Music with Neural Networks Matija Marolt, University of Ljubljana, Slovenia, January 2002. [BibTex, Abstract] |
| 2001 |
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Redundancy Reduction for Computational Audition, a Unifying Approach Paris Smaragdis, Massachusetts Institute of Technology, MA, USA, June 2001. [BibTex, Abstract, External Link] Emotion and the Experience of Listening to Music: A Framework for Empirical Research Matthew Levy, University of Cambridge, UK, April 2001. [BibTex, Abstract, PDF] |
| 2000 |
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Automatic Transcription of Lithuanian Folk Songs Gailius Raskinis, Vytautas Magnus University, Kaunas, Lithuania, 2000. [BibTex] String Matching Techniques for Music Retrieval Kjell Lemström, University of Helsinki, Finland, November 2000. [BibTex, Abstract, External Link] A Multiresolution Time-Frequency Analysis and Interpretation of Musical Rhythm Leigh M. Smith, University of Western Australia, Australia, October 2000. [BibTex, Abstract] Signal Separation of Musical Instruments Paul Joseph Walmsley, University of Cambridge, UK, September 2000. [BibTex, Abstract, External Link] Content Based Retrieval and Navigation of Music Using Melodic Pitch Contours Steven G. Blackburn, University of Southampton, Southampton, UK, September 2000. [BibTex, Abstract, External Link] Segmentation et indexation des signaux sonores musicaux Stéphane Rossignol, Université Pierre et Marie Curie, Paris, France, July 2000. [BibTex, External Link] Music-Listening Systems Eric Scheirer, Massachusetts Institute of Technology, MA, USA, April 2000. [BibTex, Abstract] Meter Through Synchrony: Processing Rhythmical Patterns with Relaxation Oscillators Douglas S. Eck, Indiana University, IN, USA, April 2000. [BibTex, Abstract, PDF] Towards a Mathematical Model for Tonality Elaine Chew, Massachusetts Institute of Technology, MA, USA, February 2000. [BibTex, Abstract, External Link] |
| 1999 |
|
Timbre Models of Musical Sounds Kristoffer Jensen, University of Copenhagen, Denmark, 1999. [BibTex, Abstract, PDF] Model-Based Segmentation of Time-Frequency Images for Musical Transcription Andrew Sterian, University of Michigan, MI, USA, 1999. [BibTex, PDF] ARTIST: Adaptive Resonance Theory to Internalize the Structure of Tonality (A Neural Net Listening to Music) Frederic Georges Paul Piat, University of Texas at Dallas, TX, USA, December 1999. [BibTex, Abstract, External Link] Evaluating a Simple Approach to Music Information Retrieval: Conceiving Melodic N-Grams as Text J. Stephen Downie, University of Western Ontario, Canada, July 1999. [BibTex, Abstract, PDF] Sound-source Recognition: A theory and Computational Model Keith Dana Martin, Massachusetts Institute of Technology, MA, USA, June 1999. [BibTex, Abstract, PDF] |
| 1998 |
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Identification de sons polyphoniques de piano (Identification of polyphonic piano sounds) Lucile Rossi, Université de Corse, Corte, France, 1998. [BibTex, Abstract] Découverte Automatique de Régularités Dans les Séquences et Application à l'Analyse Musicale Pierre-Yves Rolland, University of Paris 6, Paris, France, July 1998. [BibTex, Abstract, External Link] Towards a General Computational Theory of Musical Structure Emilios Cambouropoulos, University of Edinburgh, UK, May 1998. [BibTex, Abstract, External Link] A Study of Real-time Beat Tracking for Musical Audio Signals (in Japanese) Masataka Goto, Waseda University, Japan, March 1998. [BibTex, Abstract] |
| 1996 |
|
Computer Modeling of Sound for Transformation and Synthesis of Musical Signals Paul Masri, University of Bristol, UK, 1996. [BibTex] Prediction-driven Computational Auditory Scene Analysis Dan P. W. Ellis, Massachusetts Institute of Technology, MA, USA, June 1996. [BibTex, Abstract, PDF] |
| 1995 |
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A Quantitative Rule System for Musical Performance Anders Friberg, KTH - Royal Institute of Technology, Stockholm, Sweden, 1995. [BibTex, Abstract, External Link] A Perceptual Approach to the Description and Analysis of Acousmatic Music William Luke Windsor, City University, London, UK, September 1995. [BibTex, Abstract, External Link] |
| 1991 |
|
Event Formation and Separation in Musical Sound David K. Mellinger, Stanford University, CA, USA, 1991. [BibTex, Abstract, External Link] |
| 1989 |
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An Approach for the Separation of Voices in Composite Musical Signals Robert C. Maher, University of Illinois, IL, USA, 1989. [BibTex] A System for Sound Analysis/Transformation/Synthesis based on a Deterministic plus Stochastic Decomposition Xavier Serra, Stanford University, CA, USA, 1989. [BibTex] |
| 1988 |
|
Computer Tools for Music Information Retrieval Stephen Dowland Page, Oxford, New College, UK, 1988. [BibTex] |
| 1985 |
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The Computer Analysis of Polyphonic Music Charles R. Watson, University of Sydney, Australia, 1985. [BibTex] On the Automatic Transcription of Percussive Music: From Acoustic Signal to High Level Analysis W. Andrew Schloss, Stanford University, CA, USA, May 1985. [BibTex, Abstract, PDF] |
| 1975 |
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On the Segmentation and Analysis of Continuous Musical Sound by Digital Computer James A. Moorer, Stanford University, CA, USA, July 1975. [BibTex, External Link] |